Tori Truslow

Here be Monsters is a poetry workshop that I’ll be running in Beaconsfield in April, as part of a series of events being held to celebrate National Poetry Month. The theme will be maps – poetry as mapping, poet as map-maker, the way poems (like maps) are both fact and fantasy, mashing up the known and the unknown. The aim is to explore these ideas, talk about what we can take from maps and map-making and apply to poetry, and have some fun with writing exercises and games, all leading up to everyone producing a draft of their own map-inspired poem. Open to all ages and abilities – hopefully, whatever your level of experience, you’ll take some new ideas away from it.

Tickets are £10 if you pay in advance, or on the door they’re £12 (£10 concessions), and you can get them here. Tea and coffee included! Here’s some more about it:

So that’s Sunday April 29th, 2-4 p.m., The Reading Room, Old Beaconsfield. Come and explore!

And then on Monday the 30th, there’s a sister event – Mapping Poetry: Poetry Reading and Open Mic, so you can come and read your new creations there. And that one’s free.

See you there!

I have a new poem, ‘Terrunform’, in Stone Telling 6 – the science and science fiction issue. This is my first real SF poem, and it couldn’t have been published in a more wonderful and perfect place. Editors Rose and Shweta talk about science and SF poetry in their introduction, about the problems with it and what it could be. I’m honoured they wanted to use my poem.

‘Terrunform’ is about gender and Mars, among other things. It starts

We came trained to turn the land on
to the sun’s look, teach this world to be ours…

Click to read or listen to the rest! You can also find me talking about the ideas behind it, with several of the other poets talking about their inspirations and thoughts on SF, poetry, and gender, in the issue’s roundtable - it’s a great discussion.

Now go read the whole issue! Stone Telling is just brilliant, and such an important magazine in the speculative poetry field, so do consider donating via their tip jar if you like what you read.

So, I have two bits of anthology-related news. The first is that The Draft: Stories from the Warwick MA in Writing is now available for Kindle. If you like short fiction and want to support new voices, please have a look! It contains my story ‘Mr Wei Takes the Train’ and an assortment of other short tales by my amazing class from Warwick – with a diverse range of genres and cultural influences. The terrifyingly brilliant AL Kennedy says of The Draft: “There is a fierce joy about the pieces here: a sense that authors are revelling in making the impossible believable” (I’m still reeling a little from how lovely her afterword is, to be honest).  So that’s all exciting!

Anyway, if you decide to give it a try, or if you’ve already read the dead-tree edition, I would be incredibly grateful if you’d consider giving it a review. An honest one – no need to only say nice things! When I’m looking at books on Amazon, I know I prefer to see a mix of opinions in the reviews – it lets me make my own informed decision. Whereas if every review is 5-star I get a little suspicious. It would just be ace to see some conversation going on around the book, and it’ll mean our stories have a better chance of being noticed. Thank you!

To second piece of news, then: Verge 2011: The Unknowable is out from Monash University Publishing. Look at the pretty:

This anthology contains my story ‘Four Pairs of Marco Polo’, which is me doing realism. It’s sort of about Bangkok and the Western gaze, and sort of about the weird, weird world of SEO writing. Verge also has stories from some great friends and writers, including Jon Mycroft and Mikey Atienza. Mikey’s the person responsible for turning me on to Philippine speculative fiction, and she’s an awesome writer. Really, I think people should get this book just so they can read her story, which is a gorgeously understated post-apocalyptic tale-in-fragments, set in a ruined library. It is quite pricey, I know, especially with the shipping cost if you don’t live in Australia – but there’s supposed to be an e-book at some point, which I’ll post about if it materialises.

Meanwhile, the novel’s piecing itself together – I’m off to the British Library today for some research – and I’ve got some new short story ideas simmering in the brainpan.

I leave you with my review of Steam-Powered II: More Lesbian Steampunk Stories, which is the most badass anthology I’ve read in a good while. You should buy it.

It makes me very happy to announce that I have a new short story up at Paraxis, entitled A Catalogue of Unreadable Things.

The story features a library-ship, drowned books, wild seafaring scholars and a plucky young heroine. It’s a strange little story and I’m proud of it, and so very pleased that it’s in Paraxis. Editors Claire Massey and Andy Hedgecock have put together a wonderful library-themed issue, which includes the Paraxis Library Wall, an interactive mosaic of art and writing. Go check it out!

It’s a bad time for libraries right now and having a whole magazine issue about them is a great thing. Do read Andy and Claire’s introduction, which talks about how important libraries are, and take a moment to look at their current nominated charity, The Reader Organisation, which “works to bring about social change by sharing great literature, making it possible for people of all ages, backgrounds and abilities to engage with reading, improve wellbeing and build community”. Myself and the other contributors all provided our work for free for this issue in support of this, and if you like what you read I hope you’ll consider donating something towards the cause.

Libraries are awesome. Paraxis #2 is all about the awesomeness (and weirdness) of libraries. I’m delighted to be a part of it.

This is just to say that my fundraiser contest is now over. I reached my target and then some, so thank you! The prize draw will be done over the weekend, and winners contacted next week.

Have a great weekend everybody, you rock my world.

So, I finished my MA last week. It was a wonderful thing. I’ll miss that world, but onwards! I’m hoping to get started as a writer in education and community settings, and need to cover some initial costs. So I’m holding a fundraiser over on my Livejournal – please have a look. There are some lovely prizes up for grabs, including stories, art, and hampers of home-made preserves.

I only need to raise £200 for myself, so I’m pledging any excess to a charity that puts writers into challenging schools. I know these are hard times for many, and not everyone has spare pounds; if you want to help but can’t donate, I’d very much appreciate signal-boosting.

Thank you kindly for reading, and please do come have a looksee!

I’ve been doing a few bits of writing, some for work and some for fun, which I’ll post about in a minute. But first, here’s a spotlight post the all-too-kind Claire Trévien wrote on me. Claire is a fantastic poet and friend, and has just released her first pamphlet, Low-Tide Lottery, which I can’t recommend enough. Go buy it.

Other things – Here’s an article I wrote for IdeasTap on creative writing MAs, on what makes them worthwhile and how to make the most of them: Writing MAs: Are They Worth It? I want to write more on this subject, so watch this space.

Next, a review at Strange Horizons of SL Grey’s The Mall. I had some problems with it, but it’s gruesome fun if you like quirky horror, and it’s great to see more South African genre fiction out in the world.

I also have a new story, entitled ‘Four Pairs of Marco Polo’, upcoming in Verge, an anthology of writing produced as a joint project between Warwick and Monash University in Melbourne.

And on to personal projects – I’m reviving The Streets of Bangkok for July and August, as I’m spending the best part of those months in Thailand. I’m working on a post about Amphawa, an amazing day-trippable town in one of the Southern provinces, and planning a new walking tour, so check back in the coming week for those.

What I’m mostly doing in Bangkok at the moment is running around the locations that feature in the as-yet-unnamed novel, researching bits of local history, and finding time to work on the actual writing. Over on my livejournal I’m doing daily experimental pieces of writing about the city, as warm-ups for the chapters I’m working on.

Plus a reminder that you can now buy copies of The Draft, which features my story ‘Mr Wei Takes the Train’ (an early version of a story that has now become part of the novel). All profits go towards helping next year’s MA students get their own anthology off the ground.

Oh, and I’m on google+, come say hi!

 Summer! The rain is interrupted with bursts of sun, the whiteflies are ruining my nasturtiums, and The Draft is very nearly here! This anthology contains stories from all of this year’s Warwick writing MA students, including one set in the same alternative-Bangkok as the novel I’m working on. It’s also been a fantastic learning experience – I’ve done funding, publicity, events and publishing work on this project and it’s helped me get my head around the ‘other side’ of book-making. I’m making this post so I can share a couple of things:

1) The cover art…

Isn’t it AMAZING? I completely flipped out the first time I saw it. It was done for us by the incomparable Peter Blegvad, cartoonist and singer-songwriter (whose comic Leviathan you should check out, like, right now). The back is also awesome, with different bits on it… you’ll have to buy the book to see it though

2) The newly revamped Draft website. It’ll be kept up-to-date with news about the book, and currently has details about our upcoming events.

3) The book launch! It will be in London, at St. Anne’s Church in Soho, on Monday 11 July. Wine, music, readings and a friendly crowd of writers and industry folk – join us! It’ll be lovely, I promise. There’s even cake. And nibbles (I’m doing the nibbles, and trust me, I’m handy with an oven). Here‘s a facebook page for the event.

The book costs only five of your GBP and is available for pre-order – email WarwickMAinWriting@gmail.com for more info.

Finally, a couple of lovely blurbs that made me squee:

There is a fierce joy about the pieces here: a sense that authors are revelling in making the impossible believable ~ A. L. Kennedy

The writers in this anthology demand to be taken seriously as storytellers and their inscriptions burn clearly in the memory ~ Fred D’Aguiar

It’s been 2011 for a month and it’s the Year of the Rabbit (my year!) as of today, so an upcoming-publications-and-projects-and-stuff post seems appropriate. I’ll have stories appearing in two exciting anthologies in the summer – one in The Draft, an anthology of new writing from the Warwick MA in Writing, and the other, ‘Machanu Visits the Underworld’ (my take on the Thai Ramakain), in The Speculative Ramayana Anthology edited by Vandana Singh and Anil Menon.

I’ve got a bunch of other short stories tangling in the pipeline, and a few more that are finished and looking for homes. My focus this year, though, is an as-yet-untitled novel set in Bangkok, featuring dreaming houses and commuting ghosts. To everyone else out there undertaking creative endeavours, best of luck.

Gong xi fa cai!

Clockwork Phoenix 3 has been getting some glowing reviews, many of them with good things to say about my story ‘Tomorrow is Saint Valentine’s Day’.

Publishers Weekly gives the story a nod in their starred review of the book, saying “Tori Truslow’s scholarly ‘Tomorrow Is Saint Valentine’s Day’ tells the story of the Great Ice Train and its encounter with the merfolk on the Moon.”

Over at The Billion Light-Year Bookshelf, Leigh Kimmel writes: “Tori Truslow gives us a rich fantasy of a world in which the cosmology of the Middle Ages is in fact true, in which merfolk migrate seasonally between the earth and the moon, which far from being an airless rock is a wet world of water-laden atmosphere. Carefully documented from fictional letters of that other world, it tells the story of a Victorian explorer who travelled aboard a train made of ice to visit the mer-city upon the moon… We are left with a sense of realness that confounds our knowledge of actual history, so effective is the mechanism of scholarly documentation employed by the author to create the illusion of a history rather than merely a story.”

Adam Callaway at Sensawunda gives it four out of five stars and says “The whole concept of the merfolk moving to the moon is one that I have personally never heard of before.  Truslow paints this gorgeous, pseduo-marine landscape and a rich merfolk culture.  The prose is ‘textbook poetic’ and very fun to read… I highly recommend it.”

And Nate Winchester of Impishidea says of one of the story’s footnotes: “I dare say that part alone is worth the whole price of the book.”

You can buy Clockwork Phoenix 3 (which also contains superb fiction by Tanith Lee, Shweta Narayan, C.S.E. Cooney, Nicole Kornher-Stace and others) at Amazon, Amazon UK, Barnes and Noble, or order it at your local bookshop.